Photos

Lyrics

400 Years
400 years (400 years, 400 years. Wo-o-o-o
And it's the same -The same (wo-o-o-o) philosophy
I've said it's four hundred years;
(400 years, 400 years. Wo-o-o-o, wo-o-o-o)
Look, how long (wo-o-o-o)And the people they (wo-o-o-o) still can't see.
Why do they fight against the poor youth of today?
And without these youths, they would be gone
-All gone astray
Come on, let's make a move:
(make a move, make a move. Wo-o-o-o, wo-o-o-o)
I can (wo-o-o-o) see time (wo-o-o-o) - time has come,
And if-a fools don't see(fools don't see, fools don't see. Wo-o-o-o)
I can't save the youth:The youth
(wo-o-o-o) is gonna be strong.
So, won't you come with me;
I'll take you to a land of libertyWhere we can live - live a good, good life
And be free
Look how long: 400 years, (400 years, 400 years) -
Way too long! (wo-o-o-o)
That's the reason my people (wo-o-o-o) - my people can't see.
Said, it's four hundred long years - (400 years, 400 years. Wo-o-o-o)
Give me patience (wo-o-o-o) - same philosophy.
It's been 400 years,
(400 years, 400 years)
Wait so long! Wo-o-o-o, wo-o-o-o.
How long? 400 long, long years. [fadeout


Africa unite
'Cause we're moving right out of Babylon
And we're going to our Father's land

How good and how pleasant it would be
Before God and man
To see the unification of all Africans
As it's been said already
Let it be done right now
We are the children of the Rastaman
We are the children of the Higher Man

So Africa unite, Africa unite, yeah
Africa unite
'Cause we're moving right out of Babylon
And we're grooving to our Father's land

How good and how pleasant it would be
Before God and man
To see the unification of all Africans
As it's been said let it be done
I tell you who we are under the sun
We are the children of the Rastaman
We are the children of the Higher Man

So Africa unite, Africa unite, yeah
Africa unite 'cause the children want
To come home, Africa unite, Africa unite
It's later, later than you think
It's later, later than you think
Unite for the benefit of your people
Unite for the Africans abroad
Unite for the Africans a yard

African Herbsman

All twinklin' lee
Can't see the right rose when the streams abate
The old slave men might grind slow
But it grinds fine, yeah

African herbsman, why linger on?
Just concentrate, 'cause heaven lives on
Greet-I-eth slave men will look with a scorn
With a transplanted heart (yes, how quick they had to part)
(... how quick they had to part)

The remembrance of today
Is the sad feelin' of tomorrow
(... how quick ...) Oh (... part), oh yeah

African herbsman, seize your time
I'm takin' illusion on the edge of my mind
I'm takin' losers down thru my life
Down thru my life, yeah (yes, how quick they had to part)
(... how quick they had to part)

Dideh part, yes, they part
In remembrance of today
(... how quick they had to part)

African herbsman, why linger on?
Just concentrate, 'cause your heaven lives on
Greet-I-eth slave men will look with a scorn
With a transplanted heart, yes, how (... quick they have to part)
(... how quick they have to part)

In remembrance of today
Brings sad feelings of tomorrow
(Yes, how quick they have to ...) Lead me on, oh, Lord, I pray to you

(African herbsman) (African herbsman)
African, African herbsman

All In One
Bend down low
Let me tell you what I know now
Bend down low
Let me tell you what I know, what I know, what I know

Long time, we no have no nice time
Doo-yoo-doo-dun-doo, yeah, think about that
Long, long, long, long time, we no have no nice time
Doo-yoo-doo-dun-doo, yeah, think about that, mm

One love, one heart
Let's get together and feel alright
One love, hear my plea, one heart
Give thanks and praise to the Lord, and I will feel alright

Simmer down, you lickin' too hot, so
Simmer down, soon you'll get dropped, so
Simmer down, man, you hear what I say?

After he
Breaks your heart
Then you'll be sad, so sad
And then your teardrops start
I tell you, then you'll know how
It hurts to be alone

Oh, what a (... feeling ...), what a feeling (... be blue)
Oh, what a feeling, oh, what a feeling
(Oh, what a feeling to be blue)
Have you ever had a lonesome feeling?

This was cause thru love and affection
This was cause thru love and affection
This was cause thru love and affection

Mm, feel them spirit
I'm gonna put it on
Feel them spirit
I'm gonna put it on

Yes, my friend
We're in the streets again
Yes, my friend
Dem set we free again .

Ambush In The Night
(Ooh-wee, ooh-wee, ooh-wa!)
See them fighting for power (ooh-wee, ooh-wee, ooh-wa!),
But they know not the hour (ooh-wee, ooh-wee, ooh-wa!),;
So they bribing with their guns, spare-parts and money,
Trying to belittle our
Integrity now.
They say what we know
Is just what they teach us;
And we're so ignorant
'Cause every time they can reach us (shoobe, doo-wa)
Through political strategy (shoo-be, doo-wa);
They keep us hungry (shoobe, doo-wa),
And when you gonna get some food (shoobe, doo-wa),
Your brother got to be your enemy, we-e-ell!

Ambush in the night,
All guns aiming at me;
Ambush in the night,
They opened fire on me now.
Ambush in the night,
Protected by His Majesty.
Ooh-wee, ooh-wee. Ooh-wa-ooh!
(Ooh-wee) Ooh-wee, ooh-wee (ooh-wa), Ooh-wa!
Ooh-wee, ooh-wee, ooh wa-ooh!
Ooh-wee, ooh-wee, ooh wa-ah!

Well, what we know
Is not what they tell us;
We're not ignorant, I mean it,
And they just cannot touch us;
Through the powers of the Most-I (shoobe, doo-wa),
We keep on surfacin' (shoobe, doo-wa);
Thru the powers of the Most-I (shoobe, doo-wa),
We keep on survivin'.

Yeah, this ambush in the night
Planned by society;
Ambush in the night;
They tryin' to conquer me;
Ambush in the night
Anyt'ing money can bring;
Ambush in the night
Planned by society;
Ambush in the night - [fadeout]

Babylon System
We refuse to be
What you wanted us to be;
We are what we are:
That's the way (way) it's going to be. You don't know!
You can't educate I
For no equal opportunity:
(Talkin' 'bout my freedom) Talkin' 'bout my freedom,
People freedom (freedom) and liberty!
Yeah, we've been trodding on the winepress much too long:
Rebel, rebel!
Yes, we've been trodding on the winepress much too long:
Rebel, rebel!

Babylon system is the vampire, yea! (vampire)
Suckin' the children day by day, yeah!
Me say: de Babylon system is the vampire, falling empire,
Suckin' the blood of the sufferers, yea-ea-ea-ea-e-ah!
Building church and university, wo-o-ooh, yeah! -
Deceiving the people continually, yea-ea!
Me say them graduatin' thieves and murderers;
Look out now: they suckin' the blood of the sufferers (sufferers).
Yea-ea-ea! (sufferers)

Tell the children the truth;
Tell the children the truth;
Tell the children the truth right now!
Come on and tell the children the truth;
Tell the children the truth;
Tell the children the truth;
Tell the children the truth;
Come on and tell the children the truth.

'Cause - 'cause we've been trodding on ya winepress much too long:
Rebel, rebel!
And we've been taken for granted much too long:
Rebel, rebel now!

(Trodding on the winepress) Trodding on the winepress (rebel):
got to rebel, y'all (rebel)!
We've been trodding on the winepress much too long - ye-e-ah! (rebel)
Yea-e-ah! (rebel) Yeah! Yeah!

From the very day we left the shores (trodding on the winepress)
Of our Father's land (rebel),
We've been trampled on (rebel),
Oh now! (we've been oppressed, yeah!) Lord, Lord, go to .

Biography

Tremendously popular in their native Jamaica, where Bob Marley was regarded as a national hero, the Wailers were

also reggae music's most effective international emissaries. Bob Marley's songs of determination, rebellion, and faith found an audience all over the world.Marley left his rural home for the slums of Kingston at age 14. When he was 17, Jimmy Cliff introduced him to Leslie Kong, who produced Marley's first single, "Judge Not," and several other obscure sides. In 1963, with the guidance of Jamaican pop veteran Joe Higgs, Marley formed the Wailers, a vocal quintet, with Peter Tosh, Bunny Livingstone, Junior Braithwaite, and Beverly Kelso. Their first single for producer Coxsone Dodd, "Simmer Down," was one of the biggest Jamaican hits of 1964, and the Wailers remained on Dodd's Studio One and Coxsone labels for three years, hitting with "Love and Affection."When Braithwaite and Kelso left the group around 1965, the Wailers continued as a trio, Marley, Tosh, and Livingstone trading leads. In spite of the popularity of singles like "Rude Boy," the artists received few or no royalties, and in 1966 they disbanded. Marley spent most of the following year working in a factory in Newark, Delaware (where his mother had moved in 1963). Upon his return to Jamaica, the Wailers reunited and recorded, with little success, for Dodd and other producers. During this period, the Wailers devoted themselves to the religious sect of Rastafari.In 1969 they began their three-year association with Lee "Scratch" Perry, who directed them to play their own instruments and expanded their lineup to include Aston and Carlton Barrett, formerly the rhythm section of Perry's studio band, the Upsetters. Some of the records they made with Perry - like "Trenchtown Rock" - were locally very popular, but so precarious was the Jamaican record industry that the group seemed no closer than before to establishing steady careers. It formed an independent record company, Tuff Gong, in 1971, but the venture foundered when Livingstone was jailed and Marley got caught in a contract commitment to American pop singer Johnny Nash [see entry], who took him to Sweden to write a film score (and later had moderate hits with two Marley compositions, "Guava Jelly" and "Stir It Up").In 1972 Chris Blackwell - who had released "Judge Not" in England in 1963 - signed the Wailers to Island Records and advanced them the money to record themselves in Jamaica. Catch a Fire was their first album marketed outside Jamaica, which featured several uncredited performances such as Muscles Shoals' guitarist Wayne Perkins playing lead on "Concrete Jungle" and "Stir It Up." (They continued to release Jamaica-only singles on Tuff Gong.) Their recognition abroad was abetted by Eric Clapton's hit version of "I Shot the Sheriff," a song from their second Island album. They made their first overseas tour in 1973, but before the end of the year, Tosh and Livingstone (who later adopted the surname Wailer) left for solo careers [see entries].Marley expanded the instrumental section of the group and brought in a female vocal trio, the I-Threes, which included his wife, Rita. Now called Bob Marley and the Wailers, they toured Europe, Africa, and the Americas, building especially strong followings in the U.K., Scandinavia, and Africa. They had U.K. Top 40 hits with "No Woman No Cry" (1975), "Exodus" (1977), "Waiting in Vain" (1977), and "Satisfy My Soul" (1978); and British Top 10 hits with "Jamming" (1977), "Punky Reggae Party" (1977), and "Is This Love" (1978).In the U.S., only "Roots, Rock, Reggae" made the pop chart (Number 51, 1976), while "Could You Be Loved" placed on the soul charts (Number 56 R&B, 1980), but the group attracted an ever larger audience: Rastaman Vibration went to Number Eight pop and Exodus hit Number 20. In Jamaica the Wailers reached unprecedented levels of popularity and influence, and Marley's pronouncements on public issues were accorded the attention usually reserved for political or religious leaders. In 1976 he was wounded in an assassination attempt.A 1980 tour of the U.S. was canceled when Marley collapsed while jogging in New York's Central Park. It was discovered that he had developed brain, lung, and liver cancer; it killed him eight months later. In 1987 both Peter Tosh and longtime Marley drummer Carlton Barrett were murdered in Jamaica during separate incidents. Rita Marley continues to tour, record, and run the Tuff Gong studios and record company.Marley was a pioneer not only because he single-handedly brought reggae to the world, but because his passionate, socially observant music has become a yardstick against which all reggae will forever be measured.from The Rolling Stone Encyclopedia of Rock & Roll (Simon and Schuster, 2001